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Impressionist Kotel Art · Palette Knife

Serene Vertical Kotel Canvas

4.8 shop rating, from 19 Etsy reviews

From $48.75 25% off

25% off until October 31

Not sure which size? See it on your wall, free

A digital painting print on gallery-wrapped canvas. The brushstrokes and texture you see are part of the printed image: the surface is smooth, with no raised paint.

  • Free shipping across the US We ship within the United States only, with tracking.
  • Estimated arrival Oct 9 to Oct 21 2 to 5 business days to make it, then 3 to 8 in transit within the US.
  • Made for you, when you order it Printed and stretched for your order, not taken from a shelf.
  • Ready to hang Stretched over solid wood, hanging hardware included.

Arrives perfect, or we remake it free. Damaged, a printing fault, or not the piece or size you ordered: tell us within 30 days of delivery and we reprint it at our cost, with nothing to send back. Made to order, just for you: how returns work.

What a thrill to know the artist who will write thoughtful notes to those buying his art.
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Magnificent, beautiful, unique, quality, and brilliant
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A tall, quiet Kotel of ivory, cream and soft beige stone beneath a pale open sky, with small figures crossing the plaza and their soft blue reflections under them.

Printed on a matte, fine-weave canvas and stretched over solid wood. The impasto look and the gold were made digitally and are part of the printed image, so the surface is smooth, with no raised paint and no glass between you and the colour.

The Wall fills the middle of this piece in ivory, cream and soft beige, warmed here and there by peach and ochre. Over it the sky is pale and still, cream fading into light blue and grey-blue, and a pale stone building with arched windows stands at the left edge. Where the stones meet the ground, small figures gather in a loose row, a few in dark coats, others in white and ochre. Beneath them the plaza takes the lower third in pale blue and cream, and it mirrors each figure the way wet stone does after rain.

This upright version grows from the left side of Serene Neutral Kotel Canvas, with more sky added overhead and more plaza added underneath, which gives the scene the height a narrow wall asks for. Every palette-knife style stroke is printed as part of the picture, on a canvas with a smooth, even surface. Its calm, light palette lifts an entry hall, a landing, the wall between two doors or a tall wall in a bedroom, and it looks at home with white paint, natural linen, oak and pale stone.

Available in seven sizes, from 8×12 to 40×60. Arrives ready to hang with the brackets fitted, straight from the box to the wall.

What you receive

A physical canvas print, not a digital download.

  • Printed on premium acid-free, pH-neutral, OBA-free fine-weave canvas (344 g/m²) for fade-resistant colour.
  • Stretched over solid wood bars, 1.25" (3.18 cm) deep, gallery depth.
  • Mounting brackets included, arrives ready to hang.

This is a digital painting print. The artwork was made digitally and never painted on a physical surface, so nothing here reproduces a canvas that exists somewhere else. The impasto look, brushstrokes and any gold-leaf effect are part of the printed image. The canvas you receive is smooth: no raised paint, no varnish relief, and nothing applied by hand on top of the print.

Shipping and production

Each piece is made to order by our production partner Printful and shipped from the United States. Production takes 2-5 business days, then 3-8 business days in transit within the US, and every order ships with a tracking number.

Framing

The price shown is for the stretched canvas, ready to hang without an outer frame. Prefer a frame? Choose Framed canvas above: the same artwork, set in a solid pine frame, with the wall mount already fitted.

How this artwork was made

Eran Regev is the artist and curator behind KotelArtstore. Every piece is a digital work, made with AI-assisted tools under his own direction: the composition, the colour and the painterly texture are the result of his prompting, his selection and his preparation for print. Working digitally is what makes it possible to build a wall of stone in an impasto look one week and in near-monochrome restraint the next, and to print either one beautifully at any size.